A Department of Energy emergency order prioritizes grid reliability over air pollution rules, potentially exposing communities to dangerous emissions.

The agency has put new restrictions on a communications channel utilized by climate advocates and other activists.

The District Court of The Hague ordered the Dutch government to come up with a plan to protect Bonaire from rising seas.

"Captive coal" is increasingly powering the nickel and aluminum industries, even after the country banned new coal plants.

“Hats off to the Trump administration for being willing to break eggs,” says former Energy Secretary Jennifer Granholm.

At the center of auditor Doug Hoffer’s report are the shortcomings of two initiatives: the State Agency Energy Plan and the State Energy Management Program.

Prime Minister Mark Carney agreed to allow 49,000 Chinese electric vehicles into its market at a tariff rate of about 6 percent.

The investment firm's fund has already deployed around €300 million across 13 companies. It focuses solely on environmental sustainability, rather than social- and governance-based deals.

Lawmakers in Washington are once again focusing on kids, screens, and mental health. But according to Congress, Big Tech is somehow both the problem and the solution. We're diving into the latest attempt to control how kids access the internet and more with our latest EFFector newsletter.

Since 1990, EFFector has been your guide to understanding the intersection of technology, civil liberties, and the law. This latest issue tracks what to do when you hit an age gate online, explains why rent-only copyright culture makes us all worse off, and covers the dangers of law enforcement purchasing straight-up military drones.

Prefer to listen in? In our audio companion, EFF Senior Policy Analyst Joe Mullin explains what lawmakers should do if they really want to help families. Find the conversation on YouTube or the Internet Archive.

LISTEN TO EFFECTOR

EFFECTOR 38.2 - ✍️ THE BILL TO HAND PARENTING TO BIG TECH

Want to stay in the fight for privacy and free speech online? Sign up for EFF's EFFector newsletter for updates, ways to take action, and new merch drops. You can also fuel the fight to protect people from these data breaches and unlawful surveillance when you support EFF today!

Keeril Makan has been appointed vice provost for the arts at MIT, effective Feb. 1. In this role, Makan, who is the Michael (1949) and Sonja Koerner Music Composition Professor at MIT, will provide leadership and strategic direction for the arts across the Institute.

Provost Anantha Chandrakasan announced Makan’s appointment in an email to the MIT community today.

“Keeril’s record of accomplishment both as an artist and an administrative leader makes him exceedingly qualified to take on this important role,” Chandrakasan wrote, noting that Makan “has repeatedly taken on new leadership assignments with skill and enthusiasm.”

Makan’s appointment follows the publication last September of the final report of the Future of the Arts at MIT Committee. At MIT, the report noted, “the arts thrive as a constellation of recognized disciplines while penetrating and illuminating countless aspects of the Institute’s scientific and technological enterprise.” Makan will build on this foundation as MIT continues to strengthen the role of the arts in research, education, and community life.

As vice provost for the arts, Makan will provide Institute-wide leadership and strategic direction for the arts, working in close partnership with academic leaders, arts units, and administrative colleagues across MIT, including the Office of the Arts; the MIT Center for Art, Science and Technology; the MIT Museum; the List Visual Arts Center; and the Council for the Arts at MIT. His role will focus on strengthening connections between artistic practice, research, education, and community life, and on supporting public engagement and interdisciplinary collaboration.

“At MIT, the arts are a vital way of thinking, making, and convening,” Makan says. “As vice provost, my priority is to support and strengthen the extraordinary artistic work already happening across the Institute, while listening carefully to faculty, students, and staff as we shape what comes next. I’m excited to build on MIT’s distinctive, only-at-MIT approach to the arts and to help ensure that artistic practice remains central to MIT’s intellectual and community life.”

Makan says he will begin his new role with a period of listening and learning across MIT’s arts ecosystem, informed by the Future of the Arts at MIT report. His initial focus will be on understanding how artistic practice intersects with research, education, and community life, and on identifying opportunities to strengthen connections, visibility, and coordination across MIT’s many arts activities.

Over time, Makan says he will work with the arts community to advance MIT’s long-standing commitment to artistic excellence and experimentation, while supporting student participation and public engagement in the arts. He said his approach will “emphasize collaboration, clarity, and sustainability, reflecting MIT’s distinctive integration of the arts with science and technology.”

Makan came to MIT in 2006 as an assistant professor of music. From 2018 to 2024, he served as head of the Music and Theater Arts (MTA) Section in the School of Humanities, Arts, and Social Sciences (SHASS). In 2023, he was appointed associate dean for strategic initiatives in SHASS, where he helped guide the school’s response to recent fiscal pressures and led Institute-wide strategic initiatives.

With colleagues from MTA and the School of Engineering, Makan helped launch a new, multidisciplinary graduate program in music technology and computation. He was intimately involved in the project to develop the new Edward and Joyce Linde Music Building (Building 18), a state-of-the-art facility that opened in 2025. 

Makan was a member of the Future of the Arts at MIT Committee and chaired a working group on the creation of a center for the humanities, which ultimately became the MIT Human Insight Collaborative (MITHIC), one of the Institute’s strategic initiatives. Since last year, he has served as MITHIC’s faculty lead. Under his leadership, MITHIC has awarded $4.7 million in funding to 56 projects across 28 units at MIT, supporting interdisciplinary, human-centered research and teaching.

Trained initially as a violinist, Makan earned undergraduate degrees in music composition and religion from Oberlin and a PhD in music composition from the University of California at Berkeley.

A critically-acclaimed composer, Makan is the recipient of a Guggenheim Fellowship and the Luciano Berio Rome Prize from the American Academy in Rome. His music has been recorded by the Kronos Quartet, the Boston Modern Orchestra Project, and the International Contemporary Ensemble, and performed at Carnegie Hall, the Lincoln Center for the Performing Arts, and Tanglewood. His opera, “Persona,” premiered at National Sawdust and was performed at the Isabella Stewart Gardner Museum in Boston and by the Los Angeles Opera. The Los Angeles Times described the music from “Persona” as “brilliant.”

Makan succeeds Philip Khoury, the Ford International Professor of History, who served as vice provost for the arts from 2006 before stepping down in 2025. Khoury will return to the MIT faculty following a sabbatical.

The FEMA Review Council recommends replacing the decades-old system for distributing money to states with a plan triggered by weather conditions, not monetary damage.

The offshore wind project, which cranked out electricity during this week's storm, is on the cusp of completion after a federal judge overturned Trump's stop-work order.

House Judiciary Republicans are asking two lawyers to detail their interactions with a group that teaches judges about climate science.

A growing number of states are eyeing restrictions on weather and climate modification as startups move into the field.

The National Weather Service can fill some — but not all — of the staff positions it lost during last year’s purge of federal workers.

The Justice Climate Fund received two non-federal grants to help Native American communities finance clean energy projects.

NYSERDA didn't make any changes to its draft proposal for revenues from a regional carbon market.

After hosting the last climate summit, the South American country raised doubts about the 30-year-old paradigm based on consensus.

Critics warn such a move would undermine CBAM and the competitiveness of domestic producers.

The recent weakening of the ban on gasoline and diesel cars is fueling calls for a similar reversal in the aviation sector.